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A normal thunderstorm shuts down La Paz due to the poor drainage so it was a couple of days until the boys returned to school.

Plenty of trees down but otherwise La Paz came off lightly. It really is incredible that it was 10 years ago he crossed the Atlantic as a toddler, one really needs to enjoy these times, gone far too soon.

We now have a week in Puerto Vallarta sin ninos for our 14 th wedding anniversary, another milestone I find hard to appreciate, again seems like last week Mel and I were working on Wild B in Italy.

Just before we head to Tasmania in November our dear friends from Seattle Rennie and Denny are coming to stay on Sonrisa — a great opportunity for us to repay their incredible hospitality.

Tasmania will be an interesting time as we sort out our lives, Mexican permanent residency and whether to sell the farm in Tasmania.

Vancouver really is one of the most picturesque cities around, with all the bicycling and walking paths we never had to resort to a car.

The Canadian dollar being on par with the ozzie dollar made life that much more bearable and enjoyable. So a big thanks to Gary and Jeanine for allowing us to stay for several days — a fantastic location.

Finally a night in Denver at the Crawford hotel and a sumptuous meal with our ever generous host Chad McWinney — the meal at Stoic and Genuine, as last time, unforgettable — thanks Chad!!

Back in La Paz, with a pretty warm September — as I am writing this Hurricane Newton is some 24 hours away so the decks on Sonrisa looking very clean.

Hopefully the 20 odd lines holding Sonrisa tight will be enough. We managed to get out to Espiritu Santo Island most weekends for cooler times and the busy school days.

A few days to prepare Sonrisa for cyclone season — a very bare yacht with all sails, halyards, covers off. We found a good home for Peluchie our family cat for the last 18 months, with 2 months away now and then the 5 month trip to Tasmania in November it was just too complicated to keep him on Sonrisa — a very sad day when he left.

Our first stop in Seattle was to Denny and Rennies, our cruising friends from Columbia several years ago — such a warm welcome.

His first unaccompanied flight, we were so proud of him as he set off. An interesting time for Huon also as this was the first instance when they have been separated — in the end the parents stressing more than the boys!

As we did last year, a magic several days down at Stretch Island in Southern Puget Sound, July 4 th fireworks, kayaking, crabbing etc with Huon happily being a shadow to 3 older boys — now one of a pack taking on all the fashions and actions of the older boys.

Plenty of activities in Seattle over the next 6 weeks along with a pleasant offer to stay in their house in Vancouver from other cruising friends we met in Costa Rica in , Gary and Jeanine from High 5 — they are taking their yacht down to La Paz, and Costa Baja Marina over the summer.

Just the odd other yacht floating around. Two weeks just getting back into the cruising mode as we are now tied to the marina most of the time.

The highlight was the diving with seals at Isla Los Islotes, where the seals where very happy to perform for the camera with an apple as a toy. A really wonderful trip with excellent weather.

Last weekend we visited La Duna for an evening with several of our local Mexican families. This rustic and very environmentally friendly resort provides a magic location just to chill and chat for the children and adults that went very late into the evening.

February was rather quite, school runs, Mel studying all rather domestic. I popped down to Barra Navidad, south of Puerto Vallarta to bring Princess 1 back to La Paz, as expected on the nose most of the way so, double the time taken to get down there, some 3 days for some miles much of the time at around 7 knots.

A few days later to Cabo San Lucas so she could be hauled out for her yearly maintenance. We had a magnificent week with our dear friends from Monaco, Poala, Antoine and Daniel their 6 year old son.

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System of a down roulette chords acoustic. I co-founded the charity Scottish Kids are Making Movies to try to help kids from unprivileged backgrounds to discover the fun and creativity of film.

Lots of film clips, a commentary by me, a boldly international range of films, and many by the great women directors. The movie clips are like the palette of colours we use to paint the picture.

I had to find a point of view, a frame to contain what could have been an unwieldy subject. As I filmed, I noticed that they went from shy to grumpy to performative to destructive, all in a short time.

The 12 minute shot could, I realised, be my frame. When Laura is shy, I do a mini-tour of shyness in kids in film. When Ben is destructive, I do a tour of destructiveness in kids in cinema.

The order in which my niece and nephew showed their emotions is the order in which we see them in the film.

I know people will ask me who this film is for. My answer is that it is for anyone of about ten or over who likes films. I hope that they, young and old, will recognise themselves or kids they know in it.

In the film I say that in little things faces, a field, a rock pool, a 12 minute shot of kids we can see a lot. I hope that in this little film, we can see a lot about childhood and about the movies.

He started making films in his late teens and after graduating High School he went on to educate himself away from TV screens and Hi8 Cameras.

He began at The New York Film Academy producing and directing short films and working as a technical advisor. Those educational years resulted in a number of projects which recently or not so recently have been recognised internationally.

Further he was selected to the talent pool Trailblazer in by the Edinburgh Int. Film Festival recognising new emerging talent and won the Channel 4, 4Talent award for Best Directing in In Timo started working with Mark Cousins and has been editing his films ever since.

Sometime in early , I bumped into Mark Cousins on the street in Edinburgh, and asked what he was up to. He said that he and Tilda Swinton had dreamed up a new idea for a film festival that summer, which involved pulling the Screen Machine, a ton mobile cinema, by hand across the Scottish Highlands, showing great movies in small villages along the way.

They called this wild idea The Pilgrimage. Mark had consulted the British Tug-of-War Association about how many people it would take to pull a truck of that size, and showed me some figures scribbled on the back of an envelope.

Mark was a maths whizz long before he was a world-renowned cinephile, but he was a bit troubled about his calculations. It might be a disaster.

I decided then and there that my family — myself, wife Mary Bell and our two sons, then 8 and 12, both film mad — had to become Pilgrims.

Mark may have been uncertain about whether he and Tilda could pull off this lunatic scheme, but I had no doubt whatsoever that it would be an once-in-a-lifetime experience for anyone who took the plunge and trusted in their vision.

And so it proved. We met amazing people who came from all over the world. We watched great films. We swam in lochs. We got eaten by midges. About 50 people pulled the Screen Machine with ease though not me, because I had a bad back.

For all his modesty, Mark has a clarity of conviction which makes remarkable things happen, and which delivers enormous rewards for anyone who tags along for the ride.

So being giving the chance to help him make his next film was an extraordinary gift. There are some horses or is it a dog, or a cat?

The local "Cine-Disco" involved about an hour of music where us kids were allowed up on the main stage to dance about to the music, chat with our mates, eat lots of sweets and learn what it was all about to speak to girls!

Then once the hour of music was over we all returned to the cinema seats and were treated to some cartoons, an old black and white mystery serial that would run on each week and then a main feature.

As I got older and into my teens, I was given my first video recorder an old Betamax and I would record virtually any film that was broadcast on TV.

This enabled me to watch the likes of films by Hawks, Hitchcock, Lang, Ford and discover foreign cinema at quite an early age. I was hooked and wanted to learn more, so started reading many books on film too.

Outside of my day job, my work in film has begin to develop over the past 10 years or so, to a point now where I am keen for this to be my main vocation.

I have my own archive of films and documentaries on cinema as well as having access to many private film collections around the world and some film archives too.

I help many film writers, critics, directors and film lecturers by tracking down titles they are looking for, for research and study purposes.

Whilst at the festival we hung out a few times together, got talking about films generally and gradually got to know a bit more about each another.

I expressed that I was not very happy in my current job and Mark very kindly offered to help to see if he could find me something linked more with my strengths and knowledge of film.

Towards the end of November I received an email from Mark asking if I would be interested in being a researcher on a new film he was about to start making.

About a week later Mark and I met in Cambridge and spent a few hours discussing the film in more detail and what my role would entail.

Bobby is a classic v-neck pullover, made from 30 gauge extra-fine New Zealand Merino wool and features a low vee neck and turnback cuffs for the classic John Smedley finish.

Billy Reid supplied twenty coats for the Bond 23 Production: The mediums were used for "hero" shots and the larges for movement and stunt work.

Eventually Daniel Craig himself ordered a personal coat in a size large. The gloves can be seen when Bond attends the funeral in Rome and later when he drives the Aston Martin DB10 and possibly in the last scene of the film, although this is not yet confirmed.

The gloves can be seen when Bond visits Mr. Bond wears the jacket when he has a more rugged look stubble beard, casual wear.

The jacket can be spotted in the teaser trailer during the interrogation scene and in the other trailers in the shooting range scene.

It is not known which company made the jacket, or if it was made or adjusted by the costume designer. These Walnut brown full brogue shoes in Nevada leather are worn in the Monaco scenes with the blue wool double breasted Brioni Plinio blazer and woolen sporty sand colour Brioni Snello trousers.

The Camberley in black calf is a double buckle monk style boot, made using the finest calf leather with Dainite rubber soles. The Norwich in black calf is lace up derby shoe with straight toe cap, made from the finest calf leather with Dainite studded rubber soles.

The Tetbury shoes worn by Bond are made from the finest antique nubuck with Dainite rubber soles. The Tetbury is also available in dark brown, or in brown or black suede.

These iconic Adidas Gazelle II sneakers are available in many colours, and in leather or suede. Another hard to find item, as these were already out of production at the time of the release of the film.

For the film, it seems like the costume designer has removed or covered the orange marks on the front and back of the shoe.

Ask for the Sandown model, a trilby type hat. Although the hat in film looks grey, the hat is actually brown. This classic shirt was specially created for the film Dr.

The shirt features the special "cocktail" cuff, which is a two button turnback cuff and is unique to this shirt.

The tie can first be seen when Bond watches Gustav Graves land with the parachute in front of Buckingham Palace. Brioni, a famous Italian bespoke house, was introduced to Bond by costume designer Lindy Hemming in the movie GoldenEye.

In the Moroccon desert scene, when Bond and Madeline Swann are waiting for the Rolls-Royce, Bond wears a brown jacket, trousers and brown braided belt by Brunello Cucinelli.

According to Brunello Cucinelli, the product numbers are:.

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